Jo Weldon's New York School of Burlesque

When I think about some of my inspirations, I often think that they're not very visible in my work. Sometimes what informs a given number remains in it as an energy rather than an emulation of a style or technique. However, it's also true that a great deal of my work has actually been seen by very few people or by nonburlesque audiences. I have a history of numbers I no longer do, or I perform one-offs in shows that aren't photographed or filmed. While my more traditional numbers--which represent some of my most passionate expression of my belief in striptease as a standalone art form--are the ones I perform most frequently and are the most documented, I've done tons of performances and readings that look nothing like that. Yoko Ono, artist, activist, icon, and iconoclast, is probably one of the least visible influences in my  burlesque work, though she's always there in my idea of the radical female who doesn't hesitate to make a statement in the nude. ht...

I often wonder where, as a child, I got this idea of glamour. Yes, the Dean Martini show; yes, the old gentlemen's magazines I found where I wasn't supposed to be looking; but where did I get this idea of fashion so fierce it could barely exist in real life? The answer is here in this book: Frederick's of Hollywood catalogues. The cute? You can't handle the cute! I got my first pair of stockings and real garter belt when I was in high school in the 1970's, inspired partly by Rocky Horror and primarily by the fact that real stockings even existed. Though I love a pair of fishnet tights, you'd be hard-pressed to get me into pantyhose, which I have always associated with all the least desirable qualities of being "ladylike." I wanted a little more freedom than that, and since I went to a high school where leg coverings were required, stockings it was. Remind me to tell you sometime about how those garters and stockings caused a ruckus in 1979! I'm...