Jo Weldon's New York School of Burlesque

Hello, everyone! This is Layne Fargo - you may remember me as the graduate student who's been bugging the kind people on this list for the past year or so with questions for her burlesque-related thesis. Well, my thesis is finally completed, and the finished document (which features quotes from several community members whom I was lucky enough to interview) is available online at this address: http://www.ohiolink.edu/etd/view.cgi?acc_num=osu1211331939 I completed several other burlesque-themed projects during my final year of graduate study at Ohio State which might be of interest, too. One is a finding aid for the Charles H. McCaghy Collection of Exotic Dance From Burlesque to Clubs (housed at Ohio State's Lawrence & Lee Theatre Research Institute) giving a detailed, searchable listing of the contents of that collection. That can be found in the OhioLink finding aid repository here: http://ead.ohiolink.edu/xtf-ead/view?docId=ead/xOU-TR0005.xml I also cu...

Star Burlesque by Reginald Marsh. Click image to purchase the print on ebay. 'Abstract' 'This dissertation undertakes the examination and interpretation of paintings and prints of the burlesque theater produced by Reginald Marsh (1898-1954) during the 1920s, 1930s, and early 1940s. During these years, social reformers sought to have burlesque banned from New York City, the heart of the burlesque as well as the legitimate theater world. At the same time, however, popular awareness of and interest in this type of entertainment increased. The ensuing public discourse indicates that the burlesque had become a site of cultural contention, onto which broader social concerns about gender, sexuality, and class had been projected. Responding to this conflict, artists such as Thomas Hart Benton, Adolf Dehn, Caroline Duriex, Mabel Dwight, Edward Hopper, Gaston Lachaise, Reginald Marsh, and Elizabeth Olds all turned to the burlesque as a subject for their art. Of these, Reginald M...