My Article on NY Neo-Burlesque from Tease! Magazine

-
Sorry about the uncropped scans, my Photoshop recently stopped functioning.

Tease! Magazine, #8

You'll definitely have to click to view the larger version to be able to read it:

An Article I Wrote Several Years Ago

Here's a fab story--when I first moved permanently to New York in the late 1990s, I was writing for a fetish magazine. Basically, the entire magazine was written and photographed by my friends Kate and Misa, and me. I wanted to write about some of the amazing paper memorabilia I was seeing around New York related to pulp and vintage men's magazines; the dumb (one day he asked me what my alter ego's name would be and I said, "Dick Van Dyke," and he didn't get it, sitting there surrounded by strap-on experts) publisher at the fetish magazine wasn't interested. I contacted Tease!, a magazine I greatly admired, asking if they needed any writers or photographers in the city. My call was returned by Eve Wynn, who is no other than Torchy Taboo, with whom I had gone to film classes in college. A few years later she and the publisher, artist Greg Theakston, encouraged me to write this article on New York burlesque. I think this issue came out in 2003.

If you want to read the rest of the article, let me know and I'll scan the rest of it and post it on flicker, and I'll add a link here.

And wait until you see the vintage magazine clips I'm posting this week! Holy Moly and Hubba Hubba!! From Fortune Magazine in 1935!!!

Comments

Post a Comment

Popular posts from this blog

Girls in Giant Champagne Glasses

-
Image
Today I received this question from a reader: "[I] was wondering if you might know where one could purchase an oversized champagne glass, like the one dita von tease or catherine d'lish uses????" Venus Delight in her Giant Champagne Glass circa 1989-1994. Photo Property of Venus Delight. Catherine D'Lish in her champagne glass at Tease-o-rama 2002. Photo Copyright Jo Weldon. Honestly, I probably can't afford a giant champagne glass, and if I could afford it, I probably couldn't afford to store or transport it, and even if I could, I couldn't afford stage hands to get it onto the tiny stages I usually occupy. It just so happens, however, that I do know how to purchase one. What I know is that you have to have one made, unless you can find one used, as they are not mass-produced. If you want to have one made, you first have to locate a prop maker or custom acrylic fabricator. The same prop makers who make props for movies, theater, and events a
Read more

How to Get Started as a Performer in Burlesque

-
Image
Above: Jo Weldon performing at The Burlesque Hall of Fame. Photo by Tigz Rice. Many students come to my classes with the intention to perform professionally. Not all who want to perform want to become fulltime performers, but they'd like to get onstage now and then. I work in the field of what I call "Independent Burlesque," where most performers are creating individual acts that then get booked into variety or burlesque shows. People also sometimes hear about a theme for a show and then create an act based on that theme, or start producing a show for which they then create acts. There are as many different approaches as there are people to come up with them. However, for this article, let's focus on what most of my students are asking me about, which is how to get booked as a solo performer in a burlesque show that already exists. I'll also be focusing mostly on how things work in New York. Traveling to work is a separate topic, but I'll have an article
Read more

Tami Roche

-
Image
Image courtesy of Skinnergy . When I was growing up in Atlanta, I saw the strip joint signs and old burlesque signs; I was also aware of Atlanta's burlesque star, Tami Roche. Because I started working the clubs in 1980, there were still some dancers who had done burlesque in the 50s and 60s around, some of them still dancing but most of them not interested in the full nude table dance format (and sometimes not so nice about us doing it), still working in the clubs as costumers or managers, wearing fabulous hair and nails and giving us great advice about showmanship and terrible advice about how to make money. I didn't get to meet Tami Roche but her name came up frequently as one of the last great tassel-twirlers. She appeared in Russ Meyer's Beneath the Valley of the Ultra Vixens with Kitten Natividad (one of the most lovable and darling people ever born) And she appeared in Ann Corio's revival of This Was Burlesque in 1981. Available on VHS as "Here It
Read more