G-Strings This Week on Sex Worker Style!



I'll be sharing five posts about G-strings this week at 
https://www.instagram.com/sexworkerstyle/
Follow me there for all the sparkly history!


 

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Five-Minute Pasties

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This video is for beginners who may not be very crafty! It's also designed to reduce purchases and waste during the pandemic. My idea is to massively simplify the process of shopping for and making pasties that are usable for beginner practice. I want students to have to spend the least amount of money for the quickest results, since this is more about learning the twirling technique than the crafting technique. When you're just getting started, you want to just get started! Get these made, sign up for a class, and let's have a twirling party at the New York School of Burlesque! You can join scheduled group classes online now at schoolofburlesque.com, book a private lesson, or you can schedule a zoom party for you and your friends. Ingredients: Glitter foam craft paper Rayon chainette tassels (3 inches with a 1 inch loop, in this case) Tacky glue (MagnaTac or FabriTac, for instance) Large bobby pins Compass with pencil Scissors I cover my crafting area with wax p
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Paste Won't Keep Your Pasties On

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[This article was originally written and published on this blog in 2007. Note the presence of Myspace!] People always ask questions about pasties. They are, after all, pretty peculiar articles of clothing, in spite of being some of the most traditional items in most neo-burlesquers' wardrobes. As far as I know they are unique to burlesque--at least in terms of dance costuming. One time I was standing in the lobby after a show with my friend Francesca, and someone came up and asked me a question about tassel-twirling. After I talked about physics a bit, the woman said, "And how do you keep the pasties on?" Francesca said, "With paste!" Above: Me at the Slipper Room. Photo by Rocket. Well, we don't use paste--it's not sticky enough, and the kids eat it. But how to keep a twirler's pasties from twirling right off is a frequent subject of discussions backstage. I use flash tape , myself. I have a slight allergic reaction to it, but pinker nipples are
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Where A Fist Ends And A Nose Begins

I talk to hundreds of people about their ideas for burlesque acts, and I have to talk to them about cultural appropriation all the time. Having had so many of these conversations, I've reached a conclusion: cultural appropriation isn't always the problem. To be sure, cultural appropriation is as much of a problem as many people say it is, and I absolutely do not endorse it, and won't knowingly help anyone develop an act that I understand to be appropriative. However, I think the issue -- and the range of accountability -- is much, much bigger. I've started to use the term "cultural sensitivity," a term I learned while studying decolonizing fashion history . Cultural sensitivity includes understanding and eschewing cultural appropriation, but it includes so much more. A simple example is the Confederate flag. For a white southerner whose ancestors fought under that flag in the US civil war to wear a costume that incorporates it is NOT cultural appropriat
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