Jo Weldon's New York School of Burlesque

Above: The flyer for my 63rd Birthday show. I've been producing shows from dive bars to BHOF for decades! Ask me anything! I always encourage my students to produce their own burlesque shows! They make new friends in class and build new audiences at student showcases -- their fresh energy is just what burlesque needs to stay exciting and relevant. There are many, many ways to produce burlesque shows, so if you read my recommendations and have different experiences or preferences, I hope this will at least give you a clearer idea of what you don't want to do! 1) Visualize your show. Ask yourself as many questions as you can think of. Will it require a stage? Will that stage need a curtain? Make a poster for it, even if it's just a sketch on a pad. Make a private online or print vision board with pictures of how you want it to look. Make a name for it -- and research the hell out of that name to make sure it's unique so you can promote it easily. 2) Find a venue...

Want to write a class description that packs your class with students who want to learn exactly what you’re teaching? With these six simple elements, you can grab their attention and hold it all the way through to registration and payment! *Date & time So they know if they’re available to attend *Title Do you want it to turn up in google results? What terms do you think people looking for something like your class will search? Put those first in your title. *Description -What they get out of the class (1 sentence) "You'll take your floor work to the next level in this class with [ your name ].” (Add your tagline or favorite credit, especially if it relates to the class content.) -1-3 things they can expect to happen in the class (1 sentence) "You'll do a warmup, a series of the most popular floor work moves, and then take some time to discover what your personal floor work style can be." -Experience Level (1 sentence) "For people with som...

Above: me in a costume I made by gluing appliques to a vintage bra. Photo by Dale Harris. This morning I posted a request on Instagram and Facebook for links to sites where people can buy ready-to-ship burlesque costumes and pasties, in an effort to help students quickly acquire costume pieces. Since there isn't really a "burlesque store," most of the people who responded are, as one might expect, individual creators who also make custom items. The folks I've listed in this post were all recommended! If you're a maker or have a recommendation, you can comment with your own or others' links using the guidelines at the end of this article. For the list below, I chose the ones where it was easy for me to figure out how to order immediately. I put an asterisk next to those from whom I've already got items and can therefore personally recommend the quality of their work. Be sure to read reviews when available. If you want to see even more responses, ...

Hello Burlesquers! Whether you're creating your first number or your 50th, sometimes coming up with an idea you love is the hardest part of all. Often this comes from overthinking, so the exercise in this post can be helpful in reminding you that burlesque is supposed to be fun. After all, burlesque is, above all things, optional -- you don't have to do it at all! However, the beauty of it is that you get to come up with everything on your own: concept, music choice, costume assembly, and choreography. This is a fully independent art form you get to do solely for your own satisfaction. So if you're going to do it, it should be fun. For this exercise, take a notebook and write down the following: 1) Concept or theme 2) Music 3) Outermost layer of costume 4) Innermost layer of costume For instance: 1) Spring 2) Spring by Vivaldi 3) An earth colored robe with really long sleeves and flowered gloves that will start poking out 4) Flower pasties and a squirting...

Burlesque festivals are more popular than ever in 2024, and many times students ask me if it's too soon for them to go to a festival if they're new performers. It's never too soon! Festivals are a great way to discover performers, producers, and venues, and to meet new people. They are a concentrated networking opportunity that includes amazing shows and often with unique classes by headliners and locals. They’re usually expensive to travel to, but with this list you might be able to find some within driving distance, so you can get your first few festival experiences without a major investment. Remember to be yourself so you attract people who share your interests, instead of trying to impress people who intimidate you (and remember, sometimes getting intimidated by a person is something you do to yourself, not something they do to you – you are worthy of respect and having your art respected, at all times! Nobody is important enough to pander to or be insulted by). ...

The New York School of Burlesque is so excited and honored to have Alek Paliński as a guest author this month! With his 7 years of experience in burlesque, Alek has performed all over the world and contributed to the creation of many burlesque acts. He's worked with iconic burlesque performers, such as Dita Von Teese, Dirty Martini and Zelia Rose, to name a few. Enjoy Alek's comprehensive guide to filming your burlesque act for performance submissions. We get so many questions about this topic and this guide is just what performers need to put their best work forward when submitting for an audition or applying for a festival or gig. The world of burlesque continues to flourish, bringing more interest and a fresh wave of enthusiasm towards the art form. A new generation of performers combined with the post-pandemic reality in live entertainment makes it harder for the up-and-coming artists to book work. In-person auditions are increasingly rare. Video submissions have b...

Hello Burlesquers! I've been inspired to update my Burlesque Festival List, which includes dozens of festivals in the US and around the world, as well as links to social media accounts that keep their own lists so you'll always get the latest information. Check out my burlesque festival list now! Looking for tips on making your best impression when applying to burlesque festivals or other shows? Follow the instructions on the application and BE PREPARED! Photo: BurlyCon 2013 , by Don Spiro

Above: Jo Weldon performing at The Burlesque Hall of Fame. Photo by Tigz Rice. Many students come to my classes with the intention to perform professionally. Not all who want to perform want to become fulltime performers, but they'd like to get onstage now and then. I work in the field of what I call "Independent Burlesque," where most performers are creating individual acts that then get booked into variety or burlesque shows. People also sometimes hear about a theme for a show and then create an act based on that theme, or start producing a show for which they then create acts. There are as many different approaches as there are people to come up with them. However, for this article, let's focus on what most of my students are asking me about, which is how to get booked as a solo performer in a burlesque show that already exists. I'll also be focusing mostly on how things work in New York. Traveling to work is a separate topic, but I'll have an article...

Above: Miss Poison Ivory winning the Burlesque Hall of Fame pageant, 2016. Photo by Don Spiro. Image via burlesquehall.com. BY JO WELDON NOVEMBER 19, 2014 This article was originally published at https://21stcenturyburlesque.com/12-tips-supporting-friends-burlesque-competitions-jo-weldon/ In the world of burlesque, ballyhoo is part of the fun. Taglines and titles pique the audience’s curiousity and make for vivid introductions by emcees. Pageants and competitions offer opportunities to make things up and then invent value for them. It should always be in a spirit of fun, but of course it can get much more complicated than that. In a spirit of support and compassion for competitors, I’d like to offer the following suggestions for being a good friend to someone who is participating. You know your friends best, and some of these suggestions might not work for everyone, but I hope they help friends of competitors think about the best ways to be supportive. 1. Feel free to pampe...

Our student showcase is tonight at DROM NYC! Headmistress Jo Weldon is in COVID quarantine, but Gigi Holliday is taking up the mic so the students will be in good hands! Tickets are at https://dromnyc.com/event/new-york-school-of-burlesque-2/ And if you're thinking about performing yourself, you can sign up for the next Act Development series now: http://schoolofburlesque.com/actdevelopment.shtml Below are a few pictures from Katherine Whitehead, who'se been our official NYSB photographer for 2022. Check back for more student photos and quotes! Above: Amanda Poise Above: Stiletto Sinclair. "This whole experience exceeded any of my wildest dreams and expectations and has only strengthened my desire to explore more of this beautiful world that is burlesque! Working with Kathryn was also a dream: she was very easy to communicate with and gave stunning images in a very timely manner. I can't wait to work with the NYSB and Kathryn again in t...

Above: Burlesque Performer Rosie Cheeks as many different characters. Rosie is also an excellent classic showgirl performer! When I'm teaching, I differentiate character and persona in a specific way that relates to the necessity for most burlesque performers to have a consistent stage name. Your stage name is for your persona. This is your general presentation. This presentation may have multiple variations -- you may do classic, comedy, horror, and political burlesque under this persona, but it's all under the same stage name. Your character is someone (or something) that you portray in that persona. For instance, if you do nerdlesque, you might have a Catwoman and a Fitzwilliam Darcy number; those are characters you portray under your stage name, so the producer is booking your persona (your stage name) to portray that character (the name of someone who isn't you). It could also be a character you've invented, like The Angry Milkman or The Passive Aggres...

Did you know that I coached Blair (Leighton Meester) for the Victor Victrola episode of the first season of Gossip Girl in 2007? while I was working with her and the director, we did lots of planning around the costume and the choreography. However, when her dress arrived for the shoot, it had an inset side zipper rather than the back zipper for which we had choreographed, and we had to figure out how to get it to drop to the floor as we wanted it to -- and get that shot! We decided to have her do the choreography without the zipper and break at the point where she would have unzipped, instead spending extra time focusing on the designers shoes that had been provided for the scene. Then, with cameras off, she removed the dress over her head, stepped back into it, and lifted it above her knees to let it drop in silky folds around her feet. The film was edited to make this look fluid. You can see the end result in the video above! Check out what Leightton Meester is up to now -...

Did you know that you can rent or purchase the streaming version of my fan dance workshop video program at any time to study in the privacy of your own home? It's designed to get you started with marabou fans, silk veil fans, and ostrich fans (the big feathered ones all the headliners use)! It's available at https://worlddancenewyork.com/products/silk-and-feathers The world Dance website also hosts my video programs in striptease, burlesque dance, and chair dance, so take a look at all the offerings!

Above: The poster for my 2019 birthday party show at Coney Island USA. Poster design by David L Byrd. I always encourage my students to produce their own burlesque shows! They make new friends in class and build new audiences at student showcases -- their fresh energy is just what burlesque needs to stay exciting and relevant. Here are a few tips to get you started. There are many, many ways to produce burlesque shows, so if you read this and disagree with it, at least it will have given you an idea of what you don't want to do! If you have questions about a particular type of show, please ask in the comments. Also feel free to share your experiences as a producer, performer, or venue if you have different expectations or preferences than I'm describing here. Before you even start producing, visualize and manifest your show. Make a poster for it, even if it's just a sketch on a pad. Make a private online or print vision board with pictures of how you want it to ...

It's Black History Month, and I want to start by acknowledging that Black History is simply history; but we need to pay special attention because so much of mmainstream history has been erased, minimized, or reframed to suit white supremacy. I'll be providing some resources for students who are curious about burlesque history, but have been reading older texts (including mine, I regret to say) that omit significant contributions by Black artists and entertainment businesspeople. First up, I want to celebrate the phenomenal work of Leslie Cunningham, a documentarian and author who produced Brown Skin Showgirls and Jig Show, as well as documentaries on other dazzling topics. From her website: "BROWN SKIN SHOWGIRLS is a black and white photographic collection of the Black and Cuban women who performed burlesque, exotic, rhumba, salsa, calypso, striptease and female impersonation on Leon Claxton's Harlem in Havana Revue. This book is guaranteed to expand your knowl...

Get ready for a fantastic roster of classes coming up in February! All of our instructors are accomplished burlesque artists! This month: Briq House, Gigi Holliday, The Maine Attraction, Miss Poison Ivory, Rosie Cheeks, and Headmistress Jo Weldon. All classes are in-person in NYC unless otherwise noted. All classes are suitable for all levels unless otherwise noted. Please share about these classes! We appreciate your support on social media and in word-of-mouth. Flirting With Burlesque Live Online Are you Burlesque-Curious? Get acquainted with our fancy performing art in this fun and friendly class, featuring simple moves that will get you into the burlesque groove! Essential Burlesque This series features four workshops, each focusing on a different mode of burlesque solo movement with props. Props include your own clothes, plus our chairs, feather fans, boas, gloves, and even tasseled pasties! Burlesque Improv and Choreogr...

Several people have asked how they can support this blog. Thank you for your kindness! Originally begun on the legacy site G-strings Forever in 2001, this blog has been present to support new burlesquers since the early neo-burlesque movement. For over 15 years, Jo Weldon has been producing free content on the internet for people who want to begin to learn burlesque. She has included articles related to costuming, movement, composition, choreography, getting hired, producing shows, interviews with Legends and other burlesque cultural leaders, and so much more. How can you support it in return? All you need to do is praise it to other people! In this age where virtual word of mouth is everything and algorithms fight against older sites, especially those with adult-related media, the best thing you can do is to tell people about it. Share posts and quotes with enthusiasm. Let people know what this site did for you. Help a neo-burlesque elder and pioneer keep her legacy alive. Bu...

Pro Tips: How to Prepare for a Press Interview Experts on achieving excellence in almost every field – athletics, the performing arts, business, academia, and more – agree that the best way to get optimal results from any presentation is to be prepared. You can prepare for a press interview, just as you prepare for a show. It can help to write a script of an imaginary interview, even if during the actual interview you don’t use a word of it, and you can even rehearse your answers aloud. You probably can’t control what the interviewer will do, but you can go in ready to do your best. The suggestions I’m giving here are pertinent to burlesque, but I’ve helped people use them in other areas of the entertainment industry, in activism, and in business community interviews as well. 1) Know the questions most commonly asked in your field. Look at other interviews in your field. Common questions in burlesque include: “How did you get started?” “What’s the difference between burlesqu...

Above: The Hand, performed by Julie Atlas Muz. Students have been asking me about what’s up with this situation, and asked about some scenarios. To make it clear, responding to those questions, this situation is NOT about being inspired by someone, not about two people who used to work together disagreeing about who should still be using the work, two people coming up with the same idea independently, or lifting a signature move, composition element, or gimmick. While those situations can be annoying, they are not the same as wholesale copyright violation. It is about a stranger watching and then lifting a performer’s entire routine, then teaching it to another performer. Seeing it, then doing it. The entire thing. I lived with Julie, and before that I toured with her, and before that I saw her do this act many times. I refer students to it as a an example of how to commit to a performance, and how to make the most of a small prop. I also describe it to students as the inspiration f...

How to Choreograph a Striptease Dance 1) Find a piece of music you love so much you can listen to it hundreds of times without getting tired of it. Prance around to the music and imagine yourself in the environment you dream of getting the loving and enthusiastic response you deserve. 2) Find some articles of clothing that make you feel spectacular. Admire yourself in the mirror. Talk to yourself like you talk to the people you compliment on social media. Say extravagant nice things and give yourself permission to accept them as the truth they are. 3) Take off those articles of clothing to the music five times in a row, till you know exactly what you have to do to remove them smoothly. Allow for humor and mischeif. Think of it as play rather than as work. If an article of clothing is making you unhappy because it's too hard to remove the way you want, after five tries, put it aside for now and try something else. You can always come back to it later if you feel like it. ...