Jo Weldon's New York School of Burlesque

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Alice Cooper Striptease

on February 08, 2009

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http://www.youtube.com/watch?v=QRHFIVJtqpc

I love the shoe.

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Julie Atlas Muz and the Zombie Burlesque Controversy: Originality and Intellectual Property

Above: The Hand, performed by Julie Atlas Muz. Students have been asking me about what’s up with this situation, and asked about some scenarios. To make it clear, responding to those questions, this situation is NOT about being inspired by someone, not about two people who used to work together disagreeing about who should still be using the work, two people coming up with the same idea independently, or lifting a signature move, composition element, or gimmick. While those situations can be annoying, they are not the same as wholesale copyright violation. It is about a stranger watching and then lifting a performer’s entire routine, then teaching it to another performer. Seeing it, then doing it. The entire thing. I lived with Julie, and before that I toured with her, and before that I saw her do this act many times. I refer students to it as a an example of how to commit to a performance, and how to make the most of a small prop. I also describe it to students as the inspiration f

So You Want to Produce a Burlesque Show, V. 2, Part 1 (Business of Burlesque)

Above: The poster for my 2019 birthday party show at Coney Island USA. Poster design by David L Byrd. I always encourage my students to produce their own burlesque shows! They make new friends in class and build new audiences at student showcases -- their fresh energy is just what burlesque needs to stay exciting and relevant. Here are a few tips to get you started. There are many, many ways to produce burlesque shows, so if you read this and disagree with it, at least it will have given you an idea of what you don't want to do! If you have questions about a particular type of show, please ask in the comments. Also feel free to share your experiences as a producer, performer, or venue if you have different expectations or preferences than I'm describing here. Before you even start producing, visualize and manifest your show. Make a poster for it, even if it's just a sketch on a pad. Make a private online or print vision board with pictures of how you want it to

Business of Burlesque Presentation January 15 2022

Hello everyone! You can watch/listen to the Business of Burlesque presentation here. This was a presentation about how new burlesque performers can begin to get gigs. The slide show begins a couple of minutes in. The question and answer section begins at about 33 minutes in. Note that there are dozens of articles on the art and business of burlesque on this blog, so do go to the search box in the upper right hand corner of the main page and see if the topic that interests you is discussed here. There is also a chapter on professional etiquette in The Burlesque Handbook. If after listening to all 55 minutes you have suggestions, questions, regional-specific differences, disagreements, or corrections, drop it in the comments here or on youtube! Students will see it! If you post it on Facebook and talk about it there, they'll never get to see your comments and they will eventually get lost in the Facebook feed. Almost all New York School of Burlesque classes are taugh

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